Pivoting to the Ballroom Box – An Interview with the Owner of Dance Dress Couture

Please welcome to the blog Duffy Betterton! She and her mother Debi Camp are the co-founders and co-owners of Dance Dress Couture (DDC). Duffy and I connected last year and through our partnership, The Girl with the Tree Tattoo was introduced to the country western dance world. DDC was forced to shut down like so many other businesses due to the COVID-19 pandemic. Duffy isn’t one to sit back and wait though. She pivoted by bringing a whole new product to the dance community! I invited her here to share the story behind this new product.

Without further ado…

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Making the Dance Your Own

After waiting to post until after we filmed our showcase routine in the park, so that I could share that experience with you, I admit I was staring at a blinking cursor for quite awhile this weekend. Not much else happened this past week! At least nothing that you’d be interested in reading. The day job was plenty busy. I went to the physical therapist for an adjustment (pretty sure dancing like a scarecrow on uneven, grassy ground left my body crooked).

So we’re keeping it short this weekend with a fun idea for you to explore your dancing at home.

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The Purpose of Dance

If you follow me on social media, you got a sneak peek of today’s blog post. Yesterday, I asked if my fellow dancers were planning on returning to their regularly scheduled dance life as soon as it was feasible, or if they felt like they were entering a different chapter of their dance story. I’d love to hear your thoughts in the comments.

Pre-pandemic, my dance life was focused on competition. 2020 was set up to be my most ambitious competition season yet. Four and a half months later, I’m asking myself whether that focus is still true.

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Not Dancing Back Into Society

Before the pandemic, competition was my ballroom niche. I competed primarily in American Smooth and thrived on that competition dance floor. I loved that all of the pieces of dance came together for competition – the steps, the timing, the technique, the styling, the expression, etc. All of it played a significant role in the performance.

As I traveled along my dance journey, social dancing started to lose its appeal. Showcases had helped me fulfill that dream of performing on stage and successfully making that first big push past my fear and self-doubt, but even they didn’t quite satisfy my dance appetite as time passed. Competition fulfilled my passion for ballroom and my desire to continue to challenge myself and grow as a dancer.

Now, during the pandemic, I don’t have any of those outlets. I have a single 45-minute private lesson once a week on a patio.

And you know what?

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Dancing Back Into Society: The First Dance Lesson

Happy Fourth of July, dancers! Does it feel different to anyone else? Well, to be fair, every day of 2020 feels different than the years before. But this Independence Day in particular feels significant because it follows a month of protests and demonstrations over the fact that so many citizens of this country still don’t enjoy the freedoms that this country is so proud of.

The energy has quieted down on my social media feeds as people return to their “regularly scheduled programming” after expressing support or solidarity for social justice for a week or so. And now it’s Independence Day! It feels like a prime opportunity/symbolic transition point to commit long term to evolving into a better country that believes that all are created equal (no qualifier necessary).

For my part, I’m continuing to work to evolve into a better dancer and person overall. As we go through this series, I’ll share different parts of my vision for my future self. Something that the last few months has made me recognize (and I can’t remember if I’ve already shared this with you) is that our ballroom bubble is an illusion.

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