Dancing in the Present, Gratefully

This past week was notable in two ways. First, this past Tuesday was my 38th birthday! I’m officially in my “late 30s” as opposed to my “mid 30s” and it feels weird. But also pretty great. Despite all the shite that the last year has brought, I feel more tuned into my true self than ever before. Despite the many many challenges still ahead of us, I am excited for what the next year will bring.

The second notable aspect of this past week is that San Francisco Open happened. SF Open was the competition I was preparing for before the pandemic hit. I was supposed to debut in Pro-Am Rhythm and I was working with my new amateur partner to debut in the Am-Am circuit as well. And then there came Covid.

It struck me almost as an afterthought as I saw social media posts from the event that I was supposed to be at a year ago. Like, “Oh look, a video of SF Open, that’s this weekend? Wait. That’s this weekend? Already?!” Just another processing moment of the colossal impact that this pandemic has had on our lives.

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Finding Joy in the Storm

I have an actual dance event to share with you today! Saturday was the in-person showcase for the Fred Astaire Los Angeles Region, and I performed in a group number to Cell Block Tango from Chicago. It was the first time I’ve performed at an in-person event in 13 months (last time was competing at the 2020 California Open). It was also the first time I’ve been around more than a handful of people in a year.

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Two Stepping with a Computer? Going Virtual with the Event Director of the MidAtlantic Dance Classic

Leads and follows, please welcome to the blog, Jennifer Egl! She is one of the Event Directors of the MidAtlantic Dance Classic, which is the first United Country Western Dance Council (UCWDC)-sanctioned competition to go virtual in 2021. She is also a competitive dancer herself in country dance and is actively learning ballroom. When she isn’t dancing or organizing the dancing of others, she acts as UCWDC’s Media and Marketing Chair and the Marketing Coordinator for the UCWDC Country Dance World Championships. Oh by the way, she also works full time, has two children, and freelances as a photographer. We are definitely cut from similar cloths.

Jennifer and I first connected while I was covering UCWDC events for FloDance. When she told me that she was taking her event 100% virtual, I thought it was a great opportunity to share a different view of how the pandemic has affected the dance world. I’ve shared stories of dance teachers and studio owners, but we haven’t heard from a comp organizer yet.

So without further ado!

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Is this the real life? Is this just fantasy?

Lots of thoughts and feelings happening over here on my little 700-square foot planet! So strap in for what may not be such a cohesive update from The Girl with the Tree Tattoo. 😉

Next week is my pandemic anniversary (pandemiversary?). My company ordered everyone to work from home on March 13, 2020 and I’ve been answering emails and reviewing reports from my kitchen table ever since (sometimes I move to the living room for a change of scenery). In between reports, the dogs and I go for walks while our groceries are delivered and I wait for my turn to be vaccinated. Pandemic life goes on.

It seems like the worst is behind us. Case numbers, at least in my area, have been steadily dropping. My county is very close to being able to move out of the most restrictive tier of pandemic mandates. Time will tell if the virus variants will cause us more trouble down the road, even with vaccinations. I certainly hope not.

You pop that gum one more time…

Dance-wise, I filmed my second virtual showcase routine last weekend. This time, it’s a group number to Cell Block Tango. I’m playing Pop. This number has been a long time coming; we started rehearsals for it back in October and were supposed to film in December. The entire showcase had to be pushed thanks to the holiday-induced pandemic shutdowns. Finally, we were able to restart in February. The virtual showcase premieres tonight!

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Inner Strength + Outer Support: An Interview with Briana Suakjian

I’m super excited to introduce today’s guest to you all because she has had a huge direct impact on my dance journey. Please welcome to the blog, Briana Suakjian! She is the wife and pro dance partner of Kris Suakjian (a.k.a. Teacher!), and together they own and manage the Fred Astaire Dance Studio in Laguna Hills, California. They took over their new studio literally weeks before the pandemic shut everything down. Despite possibly setting a record for worst timing ever (or perhaps the best, more on that later), Briana and Kris have successfully built a warm and welcoming dance home for their students. And yes, I may be just a bit biased.

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Learning to Trust My Power

Can you relate to this?

You’re working on a piece of choreography with your teacher. They tell you you’re doing fine but you’re holding back, you need to let go of your doubts and just go for it. Finally, you do! Your teacher is thrilled, and you’re happy and surprised. And then you freak out internally because this expression of power and confidence in yourself caught you off guard. Like a rubber band being stretched long and then snapping back to its original size, you have this urge to retreat back to a safer, smaller space where you feel less vulnerable.

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Back in the Studio

Happy Monday, dancers! I like to call today 50% off Chocolate Day. I used to go to the drug store every February 15 to stock up on discounted heart-shaped boxes of chocolate. Now I don’t go to any stores! And my diet is considerably healthier these days, so we’ll leave the February 15th tradition with my younger self.

I got to spend part of my Valentine’s Day at the dance studio. It’s the first time I’ve been there for at least a month. I took an 11-day cross country trip and quarantined before and after. If you’re curious, you can read what it’s like to fly during a pandemic. It’s crazy how much more time and effort a trip requires these days, if you’re doing everything you can to stay safe.

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Is My Dance Journey Over?

As we reach the one-year anniversary of the COVID-19 pandemic in the U.S., I know many dancers have one question on their mind: Is my dance journey over?

Some have been extremely lucky and privileged to be able to continue dancing and even compete through this pandemic. They experienced a couple months’ break in their dance schedule, which used to seem like a lot but in our current reality, hardly anything. I’ve been lucky to be able to take one in-person private lesson almost every week since July. I even got to perform in a virtual showcase.

Others have not danced in a year or longer. No lessons, no showcases, no competitions. Through an extremely stressful period of our lives, they have lost their primary source of mental and emotional relief. And after a year, they can’t help but wonder – is this it? Am I done dancing?

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