Dancing Queens Episode 3 – Ballroom is a Mental Game


The ballroom drama continues in Week 3 of Dancing Queens! Sabrina, Donie, Colette and Gaëlle have travelled to New Orleans for their next competition, New Orleans Open, while Leonie prepares for American Star Ball in Atlantic City. We also meet the sixth lady of the show, Pooja.

Like Episode 1, this episode follows the ladies during the final days and hours before they step onto the competition dancefloor. As the countdown progresses, preparing to dance becomes less about rehearsing steps and more about the mental game.

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Dancing Queens Episode 2 – Let’s Talk Pro-Am Relationships

Episode 2 of Dancing Queens showed us the real drama of a ballroom competition, as students and their teachers put everything they have into their performances in hopes of being noticed by the judges, making the final and ultimately winning their event. It also provided some fantastic examples of the dynamics of the pro-am relationship and how they trigger tension and conflict.


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Dancing Queens Episode 1 – Not What I Was Expecting, In a Good Way!

Dancing Queens, a new reality show on Bravo about pro-am ballroom dancers, premiered last Tuesday. There was a lot of anticipation leading up to the first episode, after the trailer riled some people up. Personally, I was so curious to see how Bravo, a network known for melodramatic reality shows like The Real Housewives franchise, would portray this world. There is plenty of drama naturally in pro-am ballroom, but would it be enough for television or would Bravo’s producers need to amp things up a bit?

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When did arm styling become fun?

Dance is often referred to as an art/sport because of the athleticism required to produce beautiful and inspiring performances. Dance is a full-body workout; we all know and have experienced that. It’s also a mental and emotional workout as we try to remember all of the choreography and technique required to move our bodies in beautiful ways while also adding on style and expression that will connect us with our audience. I’m a little tired just thinking about it.

The sport half of dance always came easier to me. It was more black-and-white and scientific. Technique had rights and wrongs. I could muscle my way through the movement, which made me feel strong instead of vulnerable. When teachers started talking about arm styling and suggesting I do what feels right, I balked. What felt right to me was doing nothing with my arms, but that’s not what they were trying to get me to do. They wanted me to feel the right way to launch my arm over my head or out to the side in a way that looked graceful and effortless, or in the case of tango, strong and confident.

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Guest Post: We Are TIRED!

Last month, I attended an online webinar titled “Racial Representation in Ballroom.” Ballroom dance is very much a white-dominated style of dance, but why? What is preventing everyone else from experiencing this art/sport that we adore? How do we bring greater diversity to the ballroom world?

It was these types of questions that the hosts of webinars wanted to explore. I was so impressed by the information provided and the open and honest discussion that took place, that I had to reach out to the people behind the webinar with a request to share their mission with my readers.

The ballroom dance floor is where I finally connected with my true self and found the courage to show that true self to others. I know many of you have had similar experiences. I hate to think anyone anywhere has been made to feel, intentionally or unintentionally, that they didn’t belong on that floor because of who they were. Which is why I believe this group’s mission is so important.

So without further ado, please welcome to the blog, The TIRED Movement!

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Learning to Lead

I did something different in this past week’s ballroom lesson: I learned to lead! Traditionally, men lead and women follow in the ballroom dances. However, it’s very common outside of the U.S. to see female couples competing in ballroom, especially in younger or more beginner levels, simply because there aren’t enough boys to act as partners. You see my soul sister Fran leading in group classes and on the competition floor in the classic movie Strictly Ballroom.

Strictly Ballroom (1992)

Why learn to lead?

First of all, it’s a fun challenge to reverse roles as a ballroom dancer! I’ve always had an interest in learning the leader role of ballroom dances because only learning the follower role meant I was only really learning half of the dance. Learning what your partner needs to do and what they need you to do creates a better understanding of the partnership as a whole, which can only lead to a better connection and more enjoyable dancing together. Understanding how to cue a lead can also help you recognize when someone else is trying to cue you as a follower.

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Solo Practice is More Fun with Friends!

My relationship with solo dance practice was born out of necessity. I needed a way to improve as a dancer that didn’t come with a financial cost. The Solo Practice Guide for Ballroom Dancing was born out of my need to improve as a dancer without a financial cost and with a limited time requirement. The framework I developed for my solo practice sessions worked wonders. I grew in strength, balance and confidence. Lessons with Teacher were more productive. Other coaches noticed the improvements in my dancing when I competed. I became a World Champion!

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Dancing Through Feelings

It probably won’t come as a surprise that my plans for this week’s post shifted dramatically on Friday. Something exciting happened just the day before that I couldn’t wait to share with you! If you follow me on social media, then you already know. 😉 Earlier in the week, the work being done on the roof was officially complete with the last section of wood trim painted. It was shaping up to be a pretty good week! And then it was Friday.

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