If you follow me on social media, then you probably noticed I was on a lot more than usual this past week. I went live on Facebook almost every day to tell the story behind the Solo Practice Guide. The funny thing was, as I was sharing the story so others could learn more about the Guide, I was realizing that my solo practice strategies have had a much greater impact than just improving how I practiced.
Before I forget, I’m going to be speaking on a live local talk show based in Hawaii tomorrow, June 5, at 4pm PST / 7pm EST. The show will be recorded and posted on YouTube, etc. and you can bet your dance shoes, I’ll share it. But it would be sooo cool if as many of my followers as possible tuned in live! You can watch online at thinktechhawaii.com. I hope you can make it!
Ok, on to the blog post…
It’s just about two and a half weeks until my next competition.
2018 will definitely go down as a crazy year, simply for how many competitions I’ve been able to enter (not to mention the publication of the Solo Practice Guide!). Then there was the addition of a new style…wow!
The release of my interview with FloDance on Saturday got me thinking about my journey so far in ballroom and as the Girl with the Tree Tattoo. It’s incredible to look back and see how much I’ve changed. A couple years ago, I would have been privately excited and proud of an interview like this, but outwardly I would have hid that excitement and felt embarrassed and almost guilty for “bragging” by sharing the video. Bragging in my head is a bad thing, something to be ashamed of, and calling attention to myself feels like a form of bragging. I still get squirmy about having attention on me, but the cool thing that’s happened is I’m realizing that it’s not really about me. It’s about the message I’m trying to convey to the world.
Happy October everyone! Also known as the start of six months of trying to avoid too much weight gain. I love the holidays and all the treats that come with them, but there’s always a price. One way I avoid bringing too much candy and other holiday goodies into the house is reminding myself that the money I spend on treats is money I won’t have for dance!
Today wasn’t the best start to the month. It was day 2 of the second headache of the week. I still managed to do my solo practice. The last two Sundays I’ve practiced over two hours. I decided not to push myself too hard today and only did an hour. It was frustrating, but I’m doing my best to focus on the positive.
I originally wrote this article two years ago for my old blog, the Uphill Factor. I wanted to share it again here because I still struggle with what I see in the mirror and I’m sure someone else out there does too.
I relate to this concept as a writer but also as a dancer. The higher I advance, the harder it gets, and oh my gosh, what if they figure out I’m just a bronze dancer trying to fake her way through silver steps?!
I wish I could catch that level up screen!
I got my new video of the silver foxtrot routine. And what’s more, I actually feel like I am starting to get the hang of it!
I’m always so grateful for the lessons where things just go well.
But I’ll be frank with you. I think I had something to do with it.
A quick post.
I came across this video on Facebook, posted by Steezy:
I love Mitch Villareal’s very precise, yet smooth movements. Every one is executed with purpose and confidence.
Oh, if only I could dance like that!
The ironic thing is the title of the video is the reason I can’t: trust.
“Trust” is going to be my key word for 2016. I know I have issues trusting others, but the harder thing to admit is how much trouble I have trusting myself.
Teacher brings it up again and again. I whine or fret that I just can’t get something right, and he comes back with “it’s because you’re not trusting yourself!”
Point taken, I’ll work on that. Trust me.
Today’s Ask the Girl episode was inspired by a conversation I had with the creator of freeballroomlessons.com. He specializes in teaching social-level ballroom dancing, but used to dance competitively. We were talking about how expensive ballroom competitions are, especially for a pro-am student like myself, and about the emotional rollercoasters that competing in ballroom puts me on.
He wondered, with all of the financial and emotional stress involved in competition, why do I do it?