Stefanie was my first connection in the Ballroom Village. Her stories on her blog inspire and encourage me to keep going! You can check them out at http://dancingwithstefanie.com/. I asked her to write a guest post and I think it ended up being a great response to my last post: At What Point Can You Call Yourself a “Dancer”. Without further ado… Continue reading
Category: The Student Perspective
At What Point Can You Call Yourself a “Dancer”?
I think I’m going through a little ballroom withdrawal. It’s been weeks and weeks since I took a group class. My last few private lessons were a week apart due to Teacher going to comps or having other scheduling conflicts. And I haven’t been going to the studio to practice. I have all sorts of excuses, including the fact that I’m still doing things at home like the journey to splits challenge. I used to practice before and/or after group class. It worked well for me. But now that I’m not taking group, I find it’s hard to motivate myself to go to just practice on my own. This is why I fail at being a gym member. I’m much more likely to go if there is a class or something where I have other people to support me and hold me accountable. But going by myself to work by myself? I feel like I may as well save the gas and stay at home. This withdrawal coupled with anxiety over USDC and reading online how often others practice or have private lessons has me once again pondering a question my demons obsessively taunt me with: at what point can I call myself a dancer?
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Reflection: False Summits Part 2
Sometimes I go back and reread old blog posts because the same issues come back to pester me again and again. This one from the Uphill Factor seemed to fit the pestering thoughts today.
I’m fighting this fear of never being “good enough” even though I don’t really know what that means. Good enough for what?? I’m trying so many things right now to reshape my brain into a more positive thinking entity. Less focus on the fear and doubt. But the hilarity is sometimes I think “shit, what if I fail at all these things?” How’s that for special? I’m focusing on the possibility of failure in attempts to be more positive. But what my old post linked above reminded me was I am trying, I’m not giving up, and that should make me “good enough,” no matter the final outcome. So even if months from now, I’m still as cynical as ever in my thinking, at least I tried to absorb more unicorns and rainbows! I’m giving it my best shot and that counts for something.
Journey to Splits – Halfway There
July is about halfway over and so is the Journey to Splits challenge. For about two weeks now, I’ve been doing the five foundation stretches plus the stretch of the day, holding each one for a minute (per side, if applicable). And if you follow me on Instagram, you know my dogs have become my biggest fans/supporters. Nothing like having your face licked while you’re trying to pull your leg toward your head! I thought I would share my observations/learnings on this 30-day journey so far.
My Process for Learning “Post-Basics”
Everyone learns in their own way. Some learn by doing, others by taking notes. Some are visual learners and others are auditory. I think I’m a combination of methods. But as I learn more about the silver level of ballroom and more advanced ballroom technique, I’m noticing my internal learning process is a little more complicated than when I was just learning bronze and the basics.
Warning, I drop a few F bombs in this post.
Journey to Splits
I know July is tomorrow, and not in a couple days, but don’t forget, this was first published on Patreon yesterday! Become a patron today and get to read these articles before anyone else!
In a couple days, we’ll be into another month and halfway through the year. Yikes! I never seem to get over how quickly time flies, while simultaneously some work weeks just drag like they’re rolling through molasses. Like with June, the arrival of July means rent is due, credit card bills are coming due, and I am still short on group class cash. Bummer. June was a “challenging” month as far as battles with demons go. It didn’t all have to do with group classes or lack there of, but not having that distraction didn’t help. Even though I still went to the studio a day or two a week for class or a private lesson, as the end of June got closer, I really started to miss dancing! It’s all for Florida and Ohio, I keep telling myself.
Dance Adventure!
The Thespian would be proud! I went on a dance adventure this weekend! My roommate and I ventured north into Los Angeles County for an event put on by Ballroom by the Bay. The event was held in “the Valley” and so was dubbed the Valley Edition of Ballroom by the Bay. Cute. Roomie’s friend was teaching the tango class that started the party, which is how we found out about it.
Who Are You Dancing For?
You know those people who draw everyone’s attention when they walk into a room? Whether it’s their walk or their smile or their eyes or everything about their body language, people notice them. I am not one of those people. I am one of those people who slips in unnoticed and hangs around for 20 minutes before someone says “oh, when did you get here?!” I generally avoid the spotlight. I’ve pushed myself to let some inner light shine through in my dancing. But I still tend to retreat to the shadows as soon as I can. Unfortunately, I will not be able to go after a national title in the shadows. Shucks.
What Does the Girl Do When She Can’t Dance?
I’m in the second week of “can’t afford group classes or practice time” month and doing my best to stay busy so I don’t get hit with some major withdrawal symptoms. I’m usually at the studio three or four nights during the week for class and practice! So having only one night on the books kinda sucks. I’m anticipating July to be the same deal, not even sure I’ll manage the one class a week. We’ll cross that lousy bridge when we come to it. All for Florida and Ohio, that’s what I remind myself. So what does the Girl do when she can’t get her dance fix? I’ve come up with a list.
“The Art of Asking” – Launching My Patreon Page
You may have heard of musician/singer/writer Amanda Palmer. She recently published a book called “The Art of Asking.” I haven’t read it yet, but I would like to. The subtitle on the book cover reads “Or How I Learned to Stop Worrying and Let People Help.” Besides her creations, she is famous for being a queen of crowdfunding. It was how she was able to release her own music after leaving her record company. She did a Ted Talk in which she described her time as a street performer and made her living off people’s willingness to give her money. She talked about being criticized and harassed for not having a “real job” and for begging on the street. But she wasn’t just sitting there with a cup. She would stand frozen as a beautiful statue that would come to life and interact with whomever gave a dollar or two. It was those brief moments of connection that she was providing in return for whatever people were willing to pay for them. No matter what the critics thought, to those customers, what she was providing was worth paying for. The image of her and her patron in this bubble of satisfaction surrounded by negativity and criticism really stuck with me. Especially as I started exploring the possibility of reaching out to find my own patrons.
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